"Dream City is a place of many voices, where the unified singular self is an illusion. Naturally, Obama was born there. So was I. When your personal multiplicity is printed on your face, in an almost too obviously thematic manner, in your DNA, in your hair and in the neither this nor that beige of your skin—well, anyone can see you come from Dream City. In Dream City everything is doubled, everything is various. You have no choice but to cross borders and speak in tongues. That’s how you get from your mother to your father, from talking to one set of folks who think you’re not black enough to another who figure you insufficiently white. It’s the kind of town where the wise man says “I” cautiously, because “I” feels like too straight and singular a phoneme to represent the true multiplicity of his experience. Instead, citizens of Dream City prefer to use the collective pronoun “we.”
George Bernard Shaw said, "Patriotism is, fundamentally, a conviction that a particular country is the best in the world because you were born in it.” But that may be an audacious hope too far. We’ll see if Obama’s lifelong vocal flexibility will enable him to say proudly with one voice “I love my country” while saying with another voice “It is a country, like other countries.”
"How can the man who passes between culturally black and white voices with such flexibility, with such ease, be an honest man? How will the man from Dream City keep it real? Why won’t he speak with a clear and unified voice? These were genuine questions for people born in real cities at a time when those cities were implacably divided, when the black movement had to yell with a clear and unified voice, or risk not being heard at all. And then he won."
"For reasons that are obscure to me, those qualities we cherish in our artists we condemn in our politicians. In our artists we look for the many-colored voice, the multiple sensibility. The apogee of this is, of course, Shakespeare: even more than for his wordplay we cherish him for his lack of allegiance. Our Shakespeare sees always both sides of a thing, he is black and white, male and female—he is everyman."
"Shakespeare’s art, the very medium of it, allowed him to do what civic officers and politicians can’t seem to: speak simultaneous truths. (Is it not, for example, experientially true that one can both believe and not believe in God?) In his plays he is woman, man, black, white, believer, heretic, Catholic, Protestant, Jew, Muslim. He grew up in an atmosphere of equivocation, but he lived in freedom. And he offers us freedom: to pin him down to a single identity would be an obvious diminishment, both for Shakespeare and for us."